Some games, not all games (but some) have a degree of representational movement in them. A couple of years ago I went to see a panel discussion of designers at the Southbank Centre (a dream lineup: Naomi Alderman, Cara Ellison, Emily Short, and Meg Jayanth; moderated by Simon Parkin) one of the designers mentioned the way players automatically notice the effects of their own interactivity through movement. “Players immediately say something like, ‘Oh, that’s me,’ once they’re able to move something on screen.” she said. I’ve been thinking about it ever since.
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Some games, not all games (but some) have a degree of representational movement in them. A couple of years ago I went to see a panel discussion of designers at the Southbank Centre (a dream lineup: Naomi Alderman, Cara Ellison, Emily Short, and Meg Jayanth; moderated by Simon Parkin) one of the designers mentioned the way players automatically notice the effects of their own interactivity through movement. “Players immediately say something like, ‘Oh, that’s me,’ once they’re able to move something on screen.” she said. I’ve been thinking about it ever since.
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